You go and sit in a room and sometimes it’s great and sometimes it’s not at all. How important is music theory for producers? If you try to grab it, it will just slip through your fingers.” If you spread a session over two weeks, I think it’s too long. The greatest ideas will come in a few minutes. If it comes, it comes, that’s great, but if it doesn’t, there’s no way of pushing it. If it doesn’t come back then try again tomorrow. “For me the only solution is to walk out of the room, play FIFA and come back. What’s the best way to beat writer’s block, in your experience? They have very good organic, dynamic instruments and that can inspire you.” A great way of doing it is opening Native Instruments. Then I use Serum and it has a few presets, and if it sounds good in that – it has a good melody or good riffs – then I’ll look for the right instruments. Then I pick a grand piano off Logic, the most easy one ever, play the melody with that. I have a few kick drums that, depending on the key of the song, I know will sound good immediately as a reference. “First thing is to use certain presets that I know sound good straightaway.
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